Felix Bartholdy Mendelssohn: Volume III -Songs Without Words UrtextWhen Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his Lieder ohne Worte, he effusively thanked him for this gift. Ho
Felix Bartholdy Mendelssohn: Volume III -Songs Without Words Urtext
When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his Lieder ohne Worte, he effusively thanked him for this gift. However, the gift that Mendelssohn, in his turn, made to posterity with these Songs Without Words could probably not have been foreseen even by him at the time.
These Original Melodies, Romanzen or Clavierstcke, which only later gained the title Lieder ohne Worte, enjoyed great success during the composers lifetime, and should be included amongst the most rewarding pieces of 19th-century piano literature. Our volume contains the complete Lieder ohne Worte published during his lifetime and posthumously.195 pages.
These tone pictures offer the pianist a wide variety of moods and emotions as well as the means to develop expressiveness in their playing. Edited by Rudolf Elvers and Ernst Herttrich with fingering by Hans-Martin Theopold. Includes: Op. 19, 30, 38, 53, 62, 67, 85, 102.
Why Choose Urtext Editions?
Urtext editions offer error-free and dependable musical texts that result from thorough musicological research. They include fingerings and bowings by renowned artists and pedagogues. These editions provide prefaces in three languages, offering insights into the work’s genesis and historical context.
In addition, they feature critical commentaries in one to three languages, providing descriptions and assessments of the sources while explaining any discrepancies in the sources and the editorial decisions made. Urtext editions are known for their exceptionally beautiful music engraving and offer convenient page-turns, fold-out pages, and helpful cues where needed.
Furthermore, Urtext editions are renowned for their excellent print quality and durable binding. With the largest Urtext catalog worldwide and a history dating back to 1948, they offer unparalleled expertise in producing high-quality “Urtext” editions.
Titles Include:
AMEB:
Piano / Grade 5 / List C
Piano / Grade 7 / List C
Piano for Leisure / Certificate of Performance / Open Manual list
Piano for Leisure / Grade 8 / Open Manual list
A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age Classicism and Romanticism. His endeavours over the course his life to perform the works of Johann Sebastian Bach led to a rediscovery of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.
1809 | Born into a wealthy bankers family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother. |
1819 | He becomes a pupil of Carl Friedrich Zelter. |
1820 | Joins the Sing-Akademie in Berlin. |
182123 | Twelve sinfonias for strings. |
1825 | String Octet in E-flat major, Op. 20. |
1826 | Overture to A Midsummer Nights Dream, Op. 21 |
1827 | Begins studies at the University of Berlin. |
1829 | Revival of Bachs St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland. |
182930 | Reformation Symphony in D minor, [Op. 107], with inclusion of the choral Ein feste Burg (A Mighty Fortress Is Our God.) |
183032 | Extended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, The Hebrides, or Fingals Cave (182930). |
1833 | Music director in Dsseldorf. Italian Symphony in A major, Op. 90 (183033). |
1835 | Director of the Gewandhaus concerts in Leipzig. |
1836 | Premiere in Dsseldorf of his oratorio St. Paul: Oratorio on Words of the Holy Bible, Op. 36. |
1838-44 | Violin Concerto in E minor, Op. 64. |
Cost - $25
Free Shipping We offer free shipping on orders over $30. Please check the free - shipping eligibility at checkout.
Delivery Time It usually takes [3-5] business days for standard shipping. Please note that this is an estimated time frame and may be affected by local holidays, and unforeseen circumstances.
Reviews
There are no reviews yet.