Sale! Frederic Chopin - Ballades Urtext Edition BookIn 1836 Chopin introduced the term "ballad" into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopins ba
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In 1836 Chopin introduced the term “ballad” into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopins ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the “Prludes”, we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings.91 pages. Editor: Norbert Mullemann. Fingering: Hans-Martin Theopold.
Song Titles Include:
AMEB:
Piano / Licentiate / List C
Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Sans, Faur, Debussy) as well as Smetana, Dvok, Balakirev, Grieg, Albniz.
| 1810 | Born in elazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight. |
| 1822 | Private instruction in composition. |
| 1825 | Rondo in C minor, Op. 1, his first published work. |
| 182629 | Studies at the Institute of Music in Warsaw. |
| 1829 | Fantaisie sur des airs nationaux polonaise in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations. |
| 182933 and 183537 | Etudes, Opp. 10 and 25 — a new type of virtuosic etude that also makes aesthetic demands. |
| 1830 | Premieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor. |
| 1831 | Unable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life. |
| 1832 | Debut concert in Paris to great acclaim. |
| 1835/38 | Trois valses brillantes, Op. 34. |
| 1836/39 | 24 Preludes, Op. 28, in a cyclic succession: compactly-designed short pieces. |
| 1835/39 | Piano Sonata in B-flat minor, Op. 35, with the funeral march. |
| 1842/43 | Ballade No. 4 in F minor, Op. 52; Grande Polonaise brillante in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54. |
| 1844 | Piano Sonata in B minor, Op. 58 |
| 1849 | Completion of the mazurkas in G minor and F minor. Death in Paris on October 17. |
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