Frederic Chopin - Etudes Complete Piano Op 10 Op 25 BookUrtext EditionChopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed tec
Frederic Chopin – Etudes Complete Piano Op 10 Op 25 Book
Urtext Edition
Chopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin s Etudes are character pieces that are full of tension, written for the concert hall.
The virtuosic works, including long-running hits such as the ‘Revolutionary Etude’ op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles op. 10 and op. 25, this Henle Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies. 142 pages.
Repertoire Includes:
AMEB:
Piano / Associate / List C
Piano / Licentiate / List C
Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Sans, Faur, Debussy) as well as Smetana, Dvok, Balakirev, Grieg, Albniz.
1810 | Born in elazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight. |
1822 | Private instruction in composition. |
1825 | Rondo in C minor, Op. 1, his first published work. |
182629 | Studies at the Institute of Music in Warsaw. |
1829 | Fantaisie sur des airs nationaux polonaise in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations. |
182933 and 183537 | Etudes, Opp. 10 and 25 — a new type of virtuosic etude that also makes aesthetic demands. |
1830 | Premieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor. |
1831 | Unable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life. |
1832 | Debut concert in Paris to great acclaim. |
1835/38 | Trois valses brillantes, Op. 34. |
1836/39 | 24 Preludes, Op. 28, in a cyclic succession: compactly-designed short pieces. |
1835/39 | Piano Sonata in B-flat minor, Op. 35, with the funeral march. |
1842/43 | Ballade No. 4 in F minor, Op. 52; Grande Polonaise brillante in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54. |
1844 | Piano Sonata in B minor, Op. 58 |
1849 | Completion of the mazurkas in G minor and F minor. Death in Paris on October 17. |
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