Johann Sebastian Bach - French Suites BWV 812-817 BookUrtext EditionJohann Sebastian Bach's three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites
Johann Sebastian Bach – French Suites BWV 812-817 Book
Urtext Edition
Johann Sebastian Bach’s three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites that have long been by far the most popular and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach’s circle of pupils, and these contain many presumably authentic variants.
In this revised Henle Urtext edition, Ullrich Scheideler explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. Our opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext edition has been completely revised, and also offers new fingerings. It enables pianists and Bach enthusiasts alike to re-discover Bach’s universe for themselves. 107 pages
Song Titles Include:
AMEB:
Piano / Associate / List A
Piano / Certificate of Performance / List B
Piano / Grade 3 / List A
Piano / Grade 6 / List A
Piano / Grade 8 / List A
Piano for Leisure / Grade 5 / Open Manual list
Piano for Leisure / Grade 6 / Open Manual list
Piano for Leisure / Grade 7 / Open Manual list
For many musicians he is the Alpha and Omega of all music (Max Reger). Except for operas, Bach composed masterpieces for every ensemble and genre of his age. His catalogue of works contains almost 1,100 entries, including the great Passions of St. Matthew and St. Johan, the Goldberg Variations, the Brandenburg Concerti, or hundreds of singular cantatas. As organist in Muhlhausen and Weimar he creates primarily organ compositions, concerti, and works of chamber music. Later, as music director in Kothen and for the decades he serves as cantor in Leipzig, he composes chiefly sacred vocal compositions and keyboard works. His later, contrapuntally complex compositions exert an enormous influence on the compositional styles and practices of later generations.
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